| 翻訳と辞書 |
| Pahari painting ： ウィキペディア英語版 |
Pahari painting
Pahari painting (literal meaning a painting from the mountainous regions, ''pahar'' means a mountain in Hindi) is an umbrella term used for a form of Indian painting, originating from Himalayan Hill kingdoms of North India, during 17th-19th century. Notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi, and Garhwal, and was done mostly in miniature forms.〔(Hindu Hill Kingdoms ) ''V&A Museum''.〕〔(Pahari ) ''Kamat''.〕 Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations.
==Origin and area==
The Pahari school developed and flourished during 17th-19th centuries stretching from Jammu to Almora and Garhwal, in the sub-Himalayan India, through Himachal Pradesh, and each creating stark variations within the genre, ranging from bold intense Basohli Painting, originating from Basohli in Jammu and Kashmir, to the delicate and lyrical Kangra paintings, which became synonymous to the style before other schools of paintings developed, which reached its pinnacle with paintings of Radha and Krishna, inspired by Jayadev's Gita Govinda.〔(Pahari centres ) ''Arts of India: Architecture, Sculpture, Painting, Music, Dance and Handicraft'', by Krishna Chaitanya. Published by Abhinav Publications, 1987. ISBN 81-7017-209-8. ''Page 62''.〕
It gave birth to a new idiom in Indian painting, and grew out of the Mughal painting, though this was patronized mostly by the Rajput kings who ruled many parts of the region.〔(Pahari )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Pahari painting」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|